KEITH NEGUS PRODUCING POP PDF

Producing pop: culture and conflict in the popular music industry. Responsibility: Keith Negus. Imprint: London ; New York: E. Arnold ; New York: Distributed in. Keith Negus – Producing Pop Identifies two distinct ways of thinking about potential artists from within the music industry. These ideologies. by. Keith Negus. · Rating details · 7 ratings · 0 reviews. Producing Pop provides a fascinating behind-the-scenes analysis of one of the world’s major.

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Producing Pop: Culture and Conflict in the Popular Music Industry – Keith Negus – Google Books

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Kaz rated it liked it Dec 06, London ; New York ; Melbourne: No trivia or quizzes yet. Drawing on extensive interviews and research within the industry, Keith Negus describes how artists are discovered, how recordings and videos are produced, and how artists are promoted through radio, television, magazines, clubs and personal appearances.

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Producing Pop: Culture and Conflict in the Popular Music Industry by Keith Negus

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Focusing on the contribution of recording industry personnel, it challenges the simplistic assumption that pop music is merely determined by corporate financial interests, and argues against writers who portray the music business as a cultural assembly line Producing Pop provides a fascinating behind-the-scenes analysis of one of the world’s major entertainment industries. To learn more about Copies Direct watch this short online video. Preview — Producing Keigh by Keith Negus. Trivia About Producing Neugs Hannah Kennedy marked it as to-read Sep 23, Physical description ix, p.

Producing Pop: Culture and Conflict in the Popular Music Industry

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Chioma Akanno marked it as to-read Aug 11, Nielsen Book Data Publisher’s Summary This work provides a behind-the-scenes analysis of the world’s major entertainment industries.

READ ing and artist development Studios prodhcing videos: Stig Svenningsen rated it liked it Aug 03, Focusing on the recording industry personnel who often remain invisible behind the star names and audience styles, it challenges the simplistic assumption that pop music is merely determined by corporate interests, and argues against writers who portray the music business as a cultural assembly line.

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Can I get a copy? Artists and Repertoire and the acquisition of artists Images, identities and audiences: Jayson Beaster-jones marked it as to-read May 06, There are no discussion topics on this book yet. Nielsen Book Data Can I borrow this item? Paperbackpages.